Battement fondu can be done as a melting adagio exercise, or as a crisper faster movement. It is always elastic in quality, as it is designed to develop the thighs for strong jumping. The coordination required in the exercise is needed for the grands sautes such as grand jete en tournant, fouette saute and all the many other jumps found in the solos of classical ballet.
Assume the same position as before except stand facing at an angle to the wall so you can kick forward. Essentially all you will be doing is kicking. Simply keep your legs turned out and brush your foot up keeping it straight until you cannot go any higher, hold and bring down brushing the floor back to the starting position. Your upper body should not move; it should be a slow smooth motion taking about 6-8 seconds. Repeat on your other side.
The wall mounted ballet bar has two different types. The first one is the movable bar. This one, as the name itself implies, are portable so you can move it in a place where you are comfortable when you practice your dance steps. The other type is the fixed ballet bar. This type cannot be moved so you cannot take it in any place that you want.
To break it down, you could practice an exercise where the you develop devant, turn a quarter turn to face the wall, moving the supporting heel and thigh to a new turned out position, and the working leg coming forward to its proper second position. You could either close here, and develop a la seconde and then turn a quarter turn back to devant, or just keep holding the leg up and turn back to devant.
The way to test how much natural turnout you have is to lie on your stomach, legs straight. Bend one knee, then let the lower leg fall inwards, as far as it can. This is your turnout angle. Some hip sockets are angled more to the side than others. If yours are angled to the front, you will have less potential to turnout.
Hence, it is now possible for a ballerina to execute simultaneous movements that showcase balance, coordination, and strength. One example would be the thigh work involved with the Bar Method. In this particular routine, your thighs, glutes, hamstrings, back muscles, and calves are being worked out. The extreme changes and fluid motion that the body is subjected to create a certain level of strain that you need some kind of support for proper execution.
Whether you have a huge performing arts school, or a small neighborhood ballet studio, visit, watch a couple of classes and get a feel for the place. Ballet wear includes your hairstyle, clothes you might want to wear over your leotards and tights, if allowed. Even if you want to hide a less than wraith-like figure under a sweater, filmy skirt, or dance pants, always wear a leotard and pink tights, for women.
You can gradually reach the same standards as students who have studied during the early years that perhaps you didn’t. You need the right info, that’s all. For instance, if you just read one article about a correct plie, and practise that for a week at home, you would improve and strengthen every exercise you do in class.
Just like office folk get to wear more casual clothes to work on Fridays, my student-day classes were allowed to wear colored leotards and black tights on Saturdays. We pushed it, and came to class with bright leg warmers, print head bands and jewelry just bigger than the allowed tiny stud pierced earrings. We were always asked to remove the tiniest of neck chains.
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